Have you heard of brainspotting? It’s been around since 2003 when it was invented out of whole cloth (not “discovered”) by psychotherapist David Grand. It seems to be gaining in popularity recently, so it is worth the SBM treatment. Here is how proponents describe the alleged phenomenon: “Brainspotting makes use of this natural phenomenon through its use of relevant eye positions. This […]
The post Brainspotting is Classic Pseudoscience first appeared on Science-Based Medicine.Insomnia has rendered me nearly insensate today, but I plan a nice science post tomorrow, assuming I’ll be able to write and think. Today we get music.
“Free Man in Paris” is a song written, sung, and performed by Joni Mitchell, describing record and film producer David Geffen kvetching about busy life in the US, where many people importuned him constantly. It’s about his celebrating his freedom from that importuning in Paris. The song first appeared on Mitchell’s “Court and Spark” album in 1974.
Geffen originally signed Joni to Asylum Records (part of Atlantic), and here’s a bit more about the song from the Wikipedia links above:
Joni Mitchell and Geffen were close friends and, in the early 1970s, made a trip to Paris with Robbie Robertson and Robertson’s wife, Dominique. As a result of that trip, Mitchell wrote “Free Man in Paris“ about Geffen.
The song is about music agent/promoter David Geffen, a close friend of Mitchell in the early 1970s, and describes Geffen during a trip the two made to Paris with Robbie Robertson and Dominique Robertson. While Geffen is never mentioned by name, Mitchell describes how he works hard creating hits and launching careers but can find some peace while vacationing in Paris. Mitchell sings “I was a free man in Paris. I felt unfettered and alive. Nobody calling me up for favors. No one’s future to decide.”
I love this song, as I love Joni—at the top of singers/songwriters/musicians of our era. Here she is playing it in 1979. The sax is great, and Joni plays electric. (The recorded version is here.)
Here’s the second of Bill Maher’s “New Rules” segments that I haven’t posted. The YouTube caption is “New Rule: Before they can take on Donald Trump, Democrats have to decide which wing of their own party is best to lead them out of the wilderness.” Well, the segment doesn’t even really tackle that question. It only says that Democrats have to be less “judgey” if they want to start winning elections.
The theme is who should be the face of the “New” Democratic party, but starts by recounting an episode of the t.v. show “Love is Blind,” which apparently is in its last season (“season 8”) and yet I’ve been completely unaware of it. The bride, Sarah, leaves her fiancée Ben at the altar because he had no strong political opinions, much less strong progressive ones.
His moral for our party: “If the standards on the Left are going to be this high, and politics is going to be this much of a cock-block, we’re never going to win elections or have any more babies. This inclination from certain liberals to always and immediately excommunicate instead of communicate is what makes them so unlikeable.” He does dwell on the rigor women’s standards rather than men’s, but I don’t know whether they differ. (By the way, I’m a tad under 5’8″ so I guess I’m unacceptable.) Nor do I know whether Republicans would spurn a potential paramour because they aren’t 100% down the line with Trump. All in all, this is a pretty mediocre episode of Maher, though it may appeal to those who have watched “Love is Blind.” Personally, I’d prefer more lessons for Democrats and less summary of television plots.
The guests include journalist Kara Swisher and a man I don’t recognize (readers?).